Three women join forces to prevent a sexual harassment complaint against a renowned movie director from coming to light. This controversial mission will take them to the doors of a feminist group named La Aldea, which will take them on an inward journey to heal their patriarchal wounds.

In a reinterpretation of Madame Bovary set on contemporary Mexico City, Emilia, a middle class housewife, tries to deal with the monotony of her life. One day, she loses the two things which makes everything beareable: her lover and her credit card.

Tensions mount in an Andalusia mining town between local Spanish workers and their British employers.

A young deaf-mute who lives and has intercourse with a blind man much older than she, inevitably attracts a shy driving instructor a strange, hallucinatory underworld, populated by those beings whose mutilation, impaired physical differences, have become rejected of society.

Techo is a millionaire. Unfortunately, he has a heart disease since he was born. After his parents passed away, he became despaired and lived his life heartlessly. He doesn't care for everyone and anything and likes to risk his life doing dangerous activity. So, everybody sees him thinks that he is a mean and heartless guy. Later, Doctor Sakarin, his personal doctor gets an idea to use art therapy to soothe Techo's mind, so he hires Morin, a jobless artist to teach Techo and inspire him to want to continue his life and wait for a new heart transplant. Eventually, Techo falls in love with Morin

It tells the inspiring story of Juan Dávila. At the age of 32, he left his steady job as a municipal police officer to devote himself to show business. Thus began a ten-year journey performing in bars, squares, variety halls, and some theaters. A journey in which he started a theater company (Improclan) where he brought together people who, like him, were looking for their niche as comedians.

Tom Service takes a cinematic journey through Russia on the musical trail of that Romantic giant, Sergei Rachmaninoff. Via Moscow, St Petersburg, Novgorod, Tambov (and Senar in Switzerland), Tom chronicles a classic tale of right man, wrong time. 　　Born in Russia in 1873 and dying in America in 1943, not only did Rachmaninoff weather the false accusation that he was an anachronism who wrote sentimental, gushing Romanticism in a firmly modern century, his life intersected with one of the darkest periods in Russian history - Revolution, Civil War and two World Wars. 　　Yet, from the world-famous Second Piano Concerto in C Minor to the chocolate box 18th variation from the Rhapsody on a Theme of Paganini, time and time again the melodious yet melancholic wonderment of this unstarry, aristocratic Russian has touched the collective unconscious, and The Joy Of Rachmaninoff celebrates our love affair with this passionate, dark and tremendously popular composer. 　　Tom visits key locations in Russia that informed Rachmaninoff’s artistic life - from the beautiful, throaty sound of the bells of St Sophia’s Cathedral Novgorod to the breath-taking endless steppe of Ivanovka (pictured), his Russian estate in Tambov Oblast. 　　Tom also gains rare access to Rachmaninoff’s bespoke Swiss villa ‘Senar’ on the banks of Lake Lucerne, and hears the famous 18th Paganini Variation played on the piano on which it was written. With respected Rachmaninoff scholar Geoffrey Norris, Tom also gets to grips with the original scores of the Second Piano Concerto and C Sharp Minor Prelude in Moscow. 　　The film also brings to life key moments in Rachmaninoff’s career, from the abortive premier of his First Symphony to a disastrous meeting in Moscow with that giant of Russian literature, Leo Tolstoy, and his hurried and final departure from Russia in 1917, fleeing the perils of Bolshevism - moments that led to self-doubt and depression for the composer. 　　Tom also explores how Rachmaninoff invoked a melancholia in his work that suggests an almost prophetic ability: how in his music you might hear an expectation of great tragedy that would characterise the Russian 20th century. 　　With specially shot performances (including Vespers 1,5 & 6, extracts from the piano concerti, C Sharp Minor Prelude and Cello Sonata) and contributions from great musicians including Vladimir Ashkenazy, Denis Matsuev, Steven Isserlis, Lucy Parham, Alexander Vinogradov, Iain Burnside, James Rhodes, Stephen Hough and Vladimir Jurowski.

A transição do dia para a noite. Ela magicamente nos enfeitiça, deslizamos nela como água e a desfrutamos: apesar de todos os seus perigos: é a noite que amamos.

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